2490067078
JENNIFER WEN
97534123
2023 | 2024
UNIT 4
FINAL MAJOR PROJECT
RISE
OF THE UNDERGROUND
PROJECT INTRODUCTION
LO1 CONTEXT
final major project
overarching theme
Better Conditions for Everyone
DEMOCRACY
PROTEST
Raising Awareness to the Issue
Make a Statement
pecha kucha
final major project
project theme
claudiodivizia (2019). Untitled. [Digital Art] Website. Available at: https://www.fastcompany.com/90402577/london-is-going-to-use-heat-from-the-underground-to-help-heat-its-homes [Accessed 29 Feb. 2024].
Herrick, Frederick. It Is Cooler Below, 1926, www.ltmuseum.co.uk/collections/collections-online/posters/item/1983-4-2030. Accessed 15 Feb. 2024.
Molloy, A. (2014). London Underground is hotter than legal temperature for cattle. [online] The Independent. Available at: https://www.independent.co.uk/news/uk/home-news/london-underground-is-hotter-than-maximum-legal-temperature-for-transporting-cattle-9625067.html [Accessed 22 Feb. 2024].
Getty (2019). Untitled. [Photography] Website. Available at: https://www.express.co.uk/news/uk/995215/uk-heatwave-forecast-update-london-underground-tube-network-air-conditioning [Accessed 29 Feb. 2024].
RESEARCH: CONTEXTUAL
LO2 RESEARCH
london underground (1800s)
The majority of the London Underground was constructed within the first 50 years after 1860 (when the first line, the Metropolitan first began under construction).
These were constructed using the ‘cut and cover method’, where trenches (33' 6", approx. 10.2m wide) were dug into the ground just deep enough for the trains to fit. The tracks and tunnel walls were fitted and covered again with the previously dug-up earth. Today, lines constructed with this method are known as the ‘subsurface tubes’.
The earliest trains used steam locomotives, therefore plenty of shafts and air vents were installed to expel the steam. This is one of the reasons why air conditioners can be installed (hot air can be easily expelled to the surface).
Years later, deep-level tubes were introduced with the first being the City and South London Railway which opened in 1890. These tunnels are surrounded by hard clay which is known for its insulating properties.
Electric locomotives were used therefore air vents were not needed. The tunnels were dug just wide enough for the trains to fit. However, the engineers at the time didn’t account for the heat energy that could be generated due to friction.
Today, the deep-level tube lines consist of the:
Piccadilly, Central, Northern, Jubilee
Sub-surface tube lines include:
Circle, District, Hammersmith and City, Metropolitan
Gaugemaster (n.d.). Cut-and-Cover tunnel construction near King’s Cross. Available at: https://www.gaugemasterretail.com/rightlines-article/metropolitan-railway-part-1.html#:~:text=Construction%20on%20the%20Met%20line,Marylebone%20Road%20and%20Euston%20Road. [Accessed 29 Feb. 2024].
early construction methods
A mission to dig a tunnel under the River Thames was set to connect Rotherhive and Whopping. Many engineers tried but failed such as Richard Dravidic whose tunnel caved in and flooded.
Mark Brunel, a French engineer was inspired by the behaviour of shipworms which bore their way into the timber of ships with its jaws and lined the wood with an excretion.
Brunel’s tunnelling shield involved miners standing on wooden platforms behind wooden planks that would hold back the soil. [Fig.1] The miner would have to remove a plank, dig 18 inches into the ground behind it, ush the plank back in and screw it tight. The process was repeated for the rest of the planks until the tunnel reached Whopping.
[Fig.1]
[Fig.2]
James Henry Greathead was a civil engineer, credited for his design of the Greathead Shield which is a temporary tunnelling shield which protected workers as they manually excavated through the clay. [Fig.2]
The shield would be pushed forward using screw jacks and lined the tunnel walls behind it with iron rings similar to an apple corer.
Our History (2021). How Was The London Underground Built? | Our History. YouTube. Available at: https://www.youtube.com/watch?v=dRZVXQ-sA6A [Accessed 29 Feb. 2024].
[Fig.1] Our History (2021). How Was The London Underground Built? | Our History. YouTube. Available at: https://www.youtube.com/watch?v=dRZVXQ-sA6A [Accessed 29 Feb. 2024].
[Fig.2] Britannica (n.d.). [Photography] Website. Available at: https://www.britannica.com/biography/James-Henry-Greathead#ref283692 [Accessed 29 Feb. 2024].
production of
heat energy
Each year, [1] 500GWh (18x10^14 J) of heat energy is produced in the London Underground networks (tunnels and stations). TfL has been looking to engineers who are proposing ways to redirect this heat and give it to nearby buildings.
The tubes travel at high velocities meaning that high amounts of kinetic energy are being stored. When the trains pull into the stations, the brakes quickly bring their velocity and therefore kinetic energy down to zero. During the deceleration, the kinetic energy transfers to sound and (mostly) heat energy.
When the trains accelerate, more heat energy is generated due to the friction between the tracks and the wheels. Braking accounts for 50% of the generated heat energy.
Approximately, 21% of the heat energy is caused by drag and frictional forces. Another 21% is caused by the operation of electric motors, drive and auxiliary systems. Although the temperatures seem to only be unbearable during rush hour, passengers only account for 2% of the heat energy. TfL has been increasing its service level and aims to continue doing so which means that more energy efficient trains are needed.
[Fig. 1]
[Fig. 2]
Despite its name, only [2] 45% of the London Underground network is below ground, when the trains are running on the surface, their bodies absorb solar radiation which is then converted into heat energy and stored in the tunnels.
One of the reasons why the London Underground tunnels were significantly cooler when they first opened was due to the lack of sunlight.
The clay surrounding the tunnels could absorb the heat energy generated. However, in recent years, it has become unable to absorb any more, causing the heat energy to linger in the tunnels.
[Fg.1] CIBSE JOURNAL (2018). Tunnel vision: the challenge of cooling the London Underground. [online] CIBSE Journal. Available at: https://www.cibsejournal.com/technical/londons-tunnel-vision/ [Accessed 17 Feb. 2024].
[Fg.2] CIBSE JOURNAL (2018). Tunnel vision: the challenge of cooling the London Underground. [online] CIBSE Journal. Available at: https://www.cibsejournal.com/technical/londons-tunnel-vision/ [Accessed 17 Feb. 2024].
[1] CIBSE JOURNAL (2018). Tunnel vision: the challenge of cooling the London Underground. [online] CIBSE Journal. Available at: https://www.cibsejournal.com/technical/londons-tunnel-vision/ [Accessed 17 Feb. 2024].
[2] TfL Community Team (2019). Tube trivia and facts - Made by TfL. [online] Made by TfL. Available at: https://madeby.tfl.gov.uk/2019/07/29/tube-trivia-and-facts/ [Accessed 29 Feb. 2024].
From the research, I discovered that the braking mechanisms account for the majority of the heat energy trapped in the tunnels.
This inspired the idea to design a more efficient braking tool as a solution to the overheating of the underground.
statistics
[Fig. 1]
[Fig. 2]
The Central and Bakerloo lines are known to be the hottest where temperatures in the summer can exceed 30 degrees Celsius shown in Fig. 1. The EU legal temperature limit in the transportation of cattle is [1] 30 degrees Celsius.
[1] Molloy, A. (2014). London Underground is hotter than legal temperature for cattle. [online] The Independent. Available at: https://www.independent.co.uk/news/uk/home-news/london-underground-is-hotter-than-maximum-legal-temperature-for-transporting-cattle-9625067.html [Accessed 22 Feb. 2024].
[Fig.1] Bennett, S. (2020). Untitled. Available at: https://www.sophieheloisebennett.com/posts/tube_temperatures/ [Accessed 22 Feb. 2024].
[Fig. 2] WIRED (2018). Average temperatures on the London Underground from 01.08.2015 to 30.08/2015 between 16:00 and 19:00. Available at: https://www.wired.co.uk/article/central-line-temperature-london-weather-heatwave [Accessed 22 Feb. 2024].
artist research
frederick charles herrick
[Fig. 1]
[Fig. 2]
In 1926, the Underground Electric Railways Company of London (UERL) collaborated with artist Frederick Charles Herrick and portrayed the Underground as a form of travel but also a place of safety.
The poster “It Is Cooler Below” designed by Herrick was published in the summer and promotes the Underground as cooler and more comfortable when the weather is hot above the ground. Herrick then introduced a complimentary poster, “It Is Warmer Below” for the winter which advertises the Underground as a warmer method of commuting.
Eventually, when the build-up of heat energy began, these posters and their captions were banned to avoid false advertising.
[Fg.1] Herrick, Frederick. It Is Cooler Below, 1926, www.ltmuseum.co.uk/collections/collections-online/posters/item/1983-4-2030. Accessed 15 Feb. 2024.
[Fg.2] Herrick, Frederick. It Is Warmer Below, 1927, www.ltmuseum.co.uk/collections/collections-online/posters/item/1983-4-2030. Accessed 17 Feb. 2024.
RESEARCH: SOLUTIONS
LO2 RESEARCH - LO6 EVALUATION AND REFLECTION
water based solution
at victoria
LO1 CONTEXT
By researching existing solutions, I can understand what methods and materials are successful and effective in cooling. Knowing what already exists means I can avoid plagiarism and propose a unique idea that is inspired by things that are known to work.
This method involves the pumping of cool water from boreholes, filtered and run through platforms and stations.
Heat energy moves from warm environments to cool environments until thermal equilibrium is reached.
The heat energy in the platforms and tunnels will be absorbed by the running cool water, carrying away the heat from the platforms. The warm water is then processed into an aquifer and the process repeats.
International2012-03-05T11:00:00+00:00, R.G. (n.d.). Using ground water to cool the tube. [online] Railway Gazette International. Available at: https://www.railwaygazette.com/using-ground-water-to-cool-the-tube/36719.article [Accessed 29 Feb. 2024].
solutions
in progress
[Fig. 1]
TfL’s senior engineer, Tony Ridley, was challenged to design a solution to provide cooling to the Underground.
The metal panel unit hangs from the ceiling of the tube stations and involves air being pumped through the wider tubes.
The air is then cooled by cold water which will run parallel to the airflow. Its modular design allows it to be stacked to create a large air conditioning system. It has been proven that the metal panels work as the space under the system is significantly cooler.
However, a fan is needed to provide airflow through the tubes and the air in the Underground is known to be dusty which could potentially clog up the fan.
[Fig.3]
[Fig.3]
Although the design is practical and functional, it lacks aesthetics. Another idea for my final piece could be to redesign an existing solution so that its function is maintained but looks significantly more appealing to the public.
[Mansfield, I. (2022). TfL testing a world-first idea for cooling the London Underground. [online] ianVisits. Available at: https://www.ianvisits.co.uk/articles/tfl-testing-a-world-first-idea-for-cooling-the-london-underground-56180/ [Accessed 17 Feb. 2024]
LO1 CONTEXT
Trains are industrial and the obvious route is to research into technical and man-made solutions. I decided to widen my research and explore what solutions natural forms (plants and animals) have to keep themselves cool. Doing this will allow me to not only gain more knowledge in Biology but also open the possibility of a nature-based and eco-friendly solution.
Having taken a research placement with SATRO and Surrey Wildlife Trust to design a Nature-Based Solution for Eco-Friendlier Golf Courses, the knowledge I’ve gained may give me a good idea of where to start.
natural cooling
solutions
Animals take advantage of cold water as a cooling resource too. Waterfowls (such as ducks, geese and swans) tend to stand in colder water so that it can cool down the blood in their feet. This cool blood is then carried from their feet and circulates in the body.
[Fig.1]
[Fig.2]
Some animals have wide networks of blood vessels for heat exchange between the animal’s blood and the environment. The walls of the vessels are thin which allows for rapid heat loss.
From this research, I have found that animals use similar cooling methods to man-made ones listed above. Both involve the use of a flowing fluid to carry away/ exchange the heat energy.
[Fig.1] Eichelberger, R. (2022). This is an easy way to ‘walk on water.’ [Photography] Available at: https://unsplash.com/photos/a-duck-standing-on-the-edge-of-a-body-of-water-kKtNFg3DPhc [Accessed 5 Mar. 2024].
[Fig.2] Schneider, K. (2013). Black-tailed Jackrabbit. Available at: https://www.khanacademy.org/science/ap-biology/ecology-ap/energy-flow-through-ecosystems/a/animal-temperature-regulation-strategies#:~:text=Land%20animals%20often%20lose%20water,response%20to%20high%20body%20temperature. [Accessed 5 Mar. 2024].
LO6 EVALUATION AND REFLECTION
After conducting thorough research and consulting with a tutor, I realised that the scale of the problem was more complex than I had initially thought. Even though I wanted to maintain the Engineering aspects of the project, I was concerned that it would become too technical and that it would be difficult to develop an effective and practical solution within the given seven-week timeframe. Without formal education in mechanical engineering, devising a solution becomes more difficult.
Alternatively, I could propose a daft and highly theoretical ‘solution’ to make a statement. This would align with the theme of Protest as it draws attention and reminds the public of this wider issue. I would then be able to unleash my creative thinking without being limited by mathematical and physical realities. The overall project aim would be to tackle a serious issue with an unserious response to garner attention and protest for better means of travel.
EARLY DRAFT IDEAS
LO1 CONTEXT - LO3 DEVELOPMENT OF A CREATIVE PRACTICE - LO4 PROBLEM SOLVING - LO6 EVALUATION AND REFLECTION
draft idea 1
LO1 CONTEXT
Taking inspiration from how ducks soak their feet in cold water to keep cool, I decided to create a platform where water will flow directly beneath the passengers’ feet. The heat energy will be absorbed by the flowing water and carried away. A large fan will be placed at the end to support the water flow (similar to a submarine engine) and a bonus is that it will not be clogged up by dust.
draft sketch
draft render
My initial idea was to use glass so that lights could be installed under the glass panels for aesthetic purposes. However, after some evaluation, I realised that glass acts as a hazard when cracked. Glass is also an insulator meaning that it will absorb the heat energy itself instead of transferring it to the water.
LO4 PROBLEM SOLVING
Metal (a conductor) could be used instead. The water will be filled to the brim as a gap of air between the metal and the water will cause an echoing sound which can be distracting for the passengers. Some passengers may also fear that the glass might crack under their feet, using metal eliminates that risk. Hiding the running water underneath means that metal pipes don’t need to surround the platform ceiling which affects aesthetics and presentation.
conceptual render
LO6 EVALUATION AND REFLECTION
Overall, the aesthetics of this ‘solution’ isn’t an improvement from the current solutions that have been put in place. The lack of interesting shapes and forms makes it less unique and therefore makes for a weak protest.
Furthermore, the engineering behind this ‘solution’ isn’t creative or out of the box.
Wikipedia Commons (2018). London’s tube system. Available at: https://www.pinterest.co.uk/pin/701365341987041833/ [Accessed 8 Mar. 2024].
pngfind (n.d.). People Standing Back Png - Person From Behind Png, Transparent Png. Available at: https://www.pngfind.com/mpng/iwRwiJ_people-standing-back-png-person-from-behind-png/ [Accessed 8 Mar. 2024].
pngfind (n.d.). Pessoas Png Photoshop - Person Walking Towards Png, Transparent Png. Available at: https://www.pngfind.com/mpng/hoTJmmh_pessoas-png-photoshop-person-walking-towards-png-transparent/ [Accessed 8 Mar. 2024].
Freepik (n.d.). Acero cepilladorealista. Available at: https://www.freepik.es/vector-premium/acero-cepillado-realista_5438725.htm [Accessed 8 Mar. 2024].
draft idea 2
LO1 CONTEXT
There goes a famous saying in the USA that ‘it's so hot outside, you could fry an egg on the sidewalk’. Bringing this concept to the UK, I wondered since it's so hot in the underground, could we cook food down there? The heat energy could be redirected like the Bunhill Heat and Power Network and concentrated in one specific area to achieve high enough temperatures.
brainstorm of ideas
LO1 CONTEXT
Many users of public transport work long hours and may miss their meal times, this solution provides quick access to edible food.
It may also help passengers realise the severity of the issue regarding the overheating of the London Underground.
draft idea 2
ver 1
LO1 CONTEXT
Instead of running cool water to carry the heat energy away from the platforms. I decided to consider another cold substance, ice cream. As it absorbs heat energy, it will melt into a viscous, cool liquid (like a milkshake).
The ice cream can be kept in pipes along the platform walls with dispensers so passengers can grab a milkshake.
I then considered the other necessities on platforms and added a Help Point, a map and a seating booth.
draft idea 2
ver 2
LO3 DEVELOPMENT OF A CREATIVE PRACRICE
I then explored an Industrial aesthetic as the use of pipes being visible out in the open is a distinct element.
Adding a spiral pipe allows for more surface area and less volume of space taken up. This increases the rate of heat energy absorption by the ice cream.
draft idea 2
ver 3
ICE CREAM IS POURED IN HERE
HEAT ENERGY IS DRAWN IN FROM HERE
MELTED ICECREAM IS CARRIED THROUGH PIPES TO DISPENSERS
HEAT ENERGY MELTS ICE CREAM IN THIS CHAMBER
MILKSHAKE IS DISPENSED FROM HERE
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
This design involves a slightly different method of absorbing heat energy.
Instead of leaving the ice cream out in the open, it involves the heat energy from the track being collected and redirected into two wide pipes.
The heat energy is then used to heat a chamber where the ice cream is kept.
Melted ice cream will then begin to flow along the pipes, absorbing more heat energy as it flows (therefore cooling the platforms) and into the dispensers.
draft idea 2
ver 4
LO1 CONTEXT
Drawing inspiration from the London Underground’s roundel, I created a circular seating with pipes running underneath it. Enclosed in the seating is a machine with a dispenser, cups and methods of paying.
draft idea 2
ver 5
LO1 CONTEXT
Continuing the use of the roundel, I decided to create a circular pipe full of ice cream which is attached to two dispensers on either end.
The dispensers will release the melted ice cream. For a significant cooling effect, these rounded pipes will be placed along the entire platform.
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
Aside from melting ice cream into a milkshake. The heat energy could be used to create steam, which can allow people to heat up their unfinished/cold meals.
technical research
heat pumps
LO2 RESEARCH
Considering the logistics of my solution, I came across a device called a Heat Pump.
It is capable of collecting wasted heat energy from machinery, raising its temperature to usable temperatures and directed to where it is needed.
draft idea 3
LO2 RESEARCH
After learning about heat pumps, I realised that instead of letting the cool substance bathe in a hot environment, I could use a heat pump and draw ‘all’ the heat energy to become concentrated in one area. This can then allow for ‘cooking’ and not just melting.
I wanted people to be able to heat their food in case they missed their meal time or wanted to heat a cold pasta they bought.
However, since my design is intended for public use, I realised that some members of the public could abuse it, leaving it untidy and unsanitary.
LO1 CONTEXT
I thought of steamers which are commonly used in Chinese cuisines to make steamed buns. They can also be used to steam vegetables, eggs, dumplings and rice.
Therefore, I decided to create a selection of ingredients which people can choose, and the machine will automatically prepare for them. There will be a screen on top to select ingredients and a contactless payment method.
The compartment directly below will store the ingredients.
People can take a bowl from the dispenser and insert it into the steamer compartment. The dispenser above will directly drop the chosen ingredients into the bowl and steam cook them.
PROGRESS EVALUATION
LO6 EVALUATION AND REFLECTION
COMPLETED
UPCOMING
So far, I have completed everything I planned to do during Assessment Week, including the tasks I had listed for Week 1. I expected to get ahead of schedule anyway as I knew that my initial research wouldn’t take a whole week.
However, I did not visit the London Transport Museum during Assessment week but intend to pay a visit during the Easter Break.
RESEARCH : PLATFORMS
LO2 RESEARCH
hottest platforms
LO4 PROBLEM SOLVING
After brainstorming ideas, I realised that different platforms are different sizes and have different levels of congestion.
I needed to conduct primary research on the platforms to tailor my design to each platform.
I then began researching the hottest platforms as I wanted to prioritise those.
I need to design a solution that would fit on the platform, yet give enough room for people to walk around it safely without it being a major obstruction and delaying people from leaving the platforms.
Londonist. (2016). What’s The Hottest Platform On The Tube? [online] Available at: https://londonist.com/2016/07/what-s-the-hottest-platform-on-the-tube [Accessed 11 Mar. 2024].
itinerary
LO5 PLANNING PROGRESS AND PRODUCTION
I aim to photograph all the platforms as quickly and cheaply as possible.
This means that I need to work out when I need to visit and the order I will be visiting.
I want to photograph the platforms when it is empty to get a clear sense of scale as well as when they are busy to get a sense of the traffic.
This means that each platform will need to be visited twice. Once during rush hour and once during the quieter hours.
I would visit Waterloo first for two reasons. The station is shared between the Jubilee and Bakerloo lines, meaning that I could easily travel from the university to the Bakerloo stations. Travelling from 4:43 means that I would be travelling during rush hour so photos must be taken quickly to avoid blocking people’s way.
waterloo
underground platforms
charing cross
underground platforms
ventilation components
RESEARCH TRIP
LO2 RESEARCH - LO5 PLANNING PROGRESS AND PRODUCTION - LO6 EVALUATION AND REFLECTION
victoria and albert
museum
I found that this model strongly resembled a pipe which is a feature that I most likely will include in my designs.
The grid-like stitching pattern allows it to be slightly see-through which is helpful for viewers to understand what is flowing through.
Taking inspiration from this 3D stress map, I realised that I could produce something similar but to represent heat instead of stress.
In case I were to put forward a design with an organic form such as the London Underground roundel-inspired design*, I found that this structure provides a sturdy and accurately curved form whilst allowing viewers to see the inside.
This could be recreated by laser cutting into thin pieces of plywood and gluing them together.
serpentine gallery
north and south
LO6 EVALUATION AND REFLECTION
The Serpentine Gallery exhibited the works of Barbara Kruger; a series of digital installations, paired with audio that were played suddenly. The inclusion of audio enhances the experience, as it triggers our auditory senses.
I found the exhibition ‘weird’ as the overwhelming use of text and imagery was time-consuming to interpret and the sudden audio shocked me and disrupted my thinking.
serpentine south
serpentine north
The Serpentine North gallery was highly visual and less audible than the other. With the bright screens contrasting with the dark environment, the experience was blinding and tiring.
science museum
LO5 PLANNING PROGRESS AND PRODUCTION
As my project is quite technical, I decided to visit the Science Museum after the ‘Victoria and Albert Museum’ and ‘Serpentine Gallery’ as I felt that its contents would be more relevant. I also hoped to discover more about how engines used to work centuries ago.
response to
primary research
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
I also began to photograph models that had interesting compositions which could influence the shape and form of my designs. These were then collaged to form interesting and original design ideas.
LATER DRAFT IDEAS
LO2 RESEARCH - LO5 PLANNING PROGRESS AND PRODUCTION - LO6 EVALUATION AND REFLECTION
draft idea 4
ver 2
LO1 CONTEXT
The themes of ‘play’ and fun’ proposed by a tutor, gave rise to the idea of creating an interactive installation that doubles up as part of an air ventilation system situated above the ground.
The installation would have ventilation shafts inserted inside which leads to the London Underground platforms, blowing cool air from above into the Underground.
LO6 EVALUATION AND REFLECTION
After thorough consideration, I realised that this idea would only be ethical and sustainable if there is nothing currently occupying the land directly above. Furthermore, with the urban density of Central London, it is unlikely that there is sufficient space for an installation at the scale shown.
A solution would be to make it smaller or to make it attachable to an existing piece of architecture that is currently occupying that space. From here onwards, it would be helpful to research an appropriate location and design to accommodate it as well as look into further design ideas.
artist research
lorenzo quinn
[Fig.1]
LO2 RESEARCH
I then began to research Installation artists. Lorenzo Quinn is an artist known for sculpting hands. He describes it as being one of the hardest parts of the human body to sculpt and enjoys the challenge.
The piece that stood out the most to me was ‘Support’, a pair of hands grabbing onto the wall of the Ca’Sagredo Hotel. It communicates the concerns of Venice’s rising water levels due to climate change.
To me, the piece depicts a cry for help, a body is stuck below the sea and is about to drown. This links to my FMP as the people below in the London Underground also need help.
LO1 CONTEXT
I could create an installation looks like it's saying that the people underneath are melting in high temperatures and need help.
[Fig.1] Quinn, L. (2017). Support. [Sculpture] Available at: https://lorenzoquinn.com/venice-biennale-venice-2017/ [Accessed 16 Mar. 2024].
mindmap
things associated with heat
draft idea 4
ver 2
LO1 CONTEXT
Taking inspiration from the mind map I produced, I generated my first idea which is to create a model of a hand, crying for help and covered in ‘sweat’ to communicate the message, “Help, we are melting down here...”.
After considering the composition and placement of the hands, I had to figure out a way to create vents for the air to be expelled-exchanged..
This draft on the far right involved large air vents on the back of the hand and wrist.
Overall, it has a creepy look and motivated me to research into better ways to create gaps in the structure to allow for air exchange.
further artist research
lorenzo quinn
[Fig.1]
[Fig.2]
LO2 RESEARCH
Looking further into Lorenzo Quinn’s works, I came across his mesh wire pieces which allow for his sculpture to hold its shape whilst in involving gaps all the way throughout. Perhaps a mesh sculpture could also be used to allow for hot air in the Underground to escape.
[Fig.1] Quinn, L. (2023). NOW AND FOREVER. [Stainless Steel Wire Mesh] Available at: [Fig.1] Quinn, L. (2017). Support. [Sculpture] Available at: https://lorenzoquinn.com/venice-biennale-venice-2017/ [Accessed 16 Mar. 2024].
[Accessed 20 Mar. 2024].
[Fig.2] Quinn, L. (2021). TOGETHER. [Stainless Steel Wire Mesh] Available at: https://lorenzoquinn.com/portfolio-items/together-giza-egypt/ [Accessed 20 Mar. 2024].
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
Taking inspiration from Quinn’s wire mesh sculptures, I decided that I could create a simplified version of it comprised of 3D boxes with each ‘box’ being an air vent.
LO6 EVALUATION AND REFLECTION
However, I liked the idea of sculpting a ‘sweaty hand’ as it portrays the idea of people being in extreme temperatures underground. From this point onwards, I need to find a way to depict this but with a blocky hand.
evaluation of draft ideas
LO6 EVALUATION AND REFLECTION
I decided to list the disadvantages or cons of each design idea and out of the four I have generated so far, I decided to carry forward Idea 4. Idea 4 is most likely to physically work (encounters the least problems) and could also be whimsical at the same time. However more research will need to be done on fluid dynamics to see how the hot air from the underground can be extracted and exchanged.
Making an air ventilation system with an installation on top means that I need to consider the area above and below ground. Along with research into the hottest stations, the area above them must also be researched into to find a suitable location.
PECHA KUCHA REVIEW
LO6 EVALUATION AND REFLECTION
I was satisfied with my performance during the presentation of the Pecha Kucha, with the positive feedback from my group mates being that my project’s aims and intentions are creative and relevant to many people. Learning from my performance in previous critiques, interviews and presentations, I have grown to be more comfortable in verbally presenting my projects or explaining my intentions and processes.
I also performed well in terms of understanding and critiquing the projects of others. I was unafraid to ask for further clarification and was able to provide constructive criticism and asked each person a research question such as “Your project is about combining Islamic and Modern Architecture, is the combination going to be 50-50 or more of the other?”.
My peers suggested looking further into where the ‘solution’ is going to be and whether or not it is going to be high maintenance. Another factor to consider is whether the solution can be controlled to only operate at certain hours; this can reduce energy costs.
After the group feedback on my Pecha Kucha, we had a group discussion on possible solutions I could use that were whimsical but theoretically possible.
LOCATION RESEARCH
LO2 RESEARCH
central line
marble arch
LO2 RESEARCH
Marble Arch is a station that lies on the Central Line and is one of the London Underground’s hottest platforms.
Thankfully, the station is close to Hyde Park, and its emptiness allows for an installation to be put in place without causing major disruptions.
The Serpentine Galleries are also located in this park, making the area attractive to artists or those who appreciate art and installation.
However, the only issue is that the line does not sit directly under Hyde Park but sits under the main road.
bakerloo line
regent’s park
LO2 RESEARCH
I followed the Bakerloo line on Google Maps to find appropriate locations. Most of the Bakerloo line runs under roads and streets which made finding a location fairly difficult until I came across Regent’s Park. However, Regent’s Park wasn’t one of the hottest platforms that I had listed but is still fairly warm.
LO2 RESEARCH
As I followed the Bakerloo line, I came across other empty locations however, they were situated in people’s backyards or in small neighbourhoods which were not an ideal location. Furthermore, it would be weird to conduct primary research by photographing people’s gardens (assuming I could enter in the first place).
LO2 RESEARCH
As I followed the Bakerloo lines, I realised that the best places for an installation were not directly above the platforms but were somewhere in between. This is because the platforms are directly below the station.
I discovered a large green area near Edgware station which is one of the hottest stations and therefore the tunnels closest to it are one of the warmest.
I noted this location as a potential place to base my solution.
area of focus
LO2 RESEARCH
Finally, I came across Jubilee Gardens, a park near Waterloo underground station where the Bakerloo line runs directly underneath a large public piece of empty land.
There is also a children’s park on site which makes a fun, playful but meaningful installation appropriate for both children and adults to enjoy.
Its popularity allows the installation to gain more exposure and it was for this reason that I chose Jubilee Gardens as my location.
Jubilee Gardens is not located directly above a station but rather mid-tunnel, therefore, I can no longer use my original idea which was to drop down fans onto the platform.
jubilee gardens
recci
LO2 RESEARCH
By visiting the site, I noticed that there are other popular areas surrounding the park such as the London South Bank Centre and the London Eye. This made me realise that Jubilee Gardens might be more popular than I thought. Walking along its paths allowed me to gain a realistic and deeper understanding of its scale and size. By basing my solution here, I needn't worry about human congestion.
LO2 RESEARCH
The children’s park was entirely made of wood (except the metal slide) which inspired me to preserve the theme of ‘nature’ in my design.
Jubilee Gardens also has depth to it, where each patch of greenery is elevated and enclosed by grey concrete.
LO2 RESEARCH
Another factor that I had to consider was the health and maintenance of the grass, Jubilee Gardens does not want people stepping on its grass.
As the installation had to sit on that large patch of grass, it cannot be interactive and must be viewed and enjoyed from a distance. This means that any small details on it cannot be seen and may not be worth considering.
LO2 RESEARCH
I photographed the patch of grass which I wanted to use as my location and realised that it was smaller than I thought.
Furthermore, trees surround that patch of grass and could potentially obstruct people’s view of my installation.
PROGRESS REVIEW
LO6 EVALUATION AND REFLECTION
MISSED
UPCOMING
Unfortunately, by Week 2, I began to fall behind schedule as I had been brainstorming ideas for longer than I intended to.
However, I do not feel guilty for falling behind as it wasn’t due to slacking off but rather giving myself more time to conduct further research to propose better ideas.
DRAFT INSTALLATION IDEAS
LO3 DEVELOPMENT OF A CREATIVE PRACTICE - LO4 PROBLEM SOLVING
installation idea 1
volcano inspired
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
Another idea that popped into my head which could be added to my Heat mindmap was ‘volcanoes’. They are associated with heat and are a natural form. The shape and form of a volcano is part of everyone’s general knowledge so the installation can be abstract.
[1]
[2]
[3]
[4]
[1] Cazares, R. (n.d.). Secret II. [Sculpture, Thermodeformed on Volcanic Stone] Available at: https://www.saatchiart.com/sculpture/volcano/feature [Accessed 25 Mar. 2024].
[2] Salvador, J. (2018). Erupción. [Sculpture, Steel] Available at: https://www.saatchiart.com/art/Sculpture-Erupci-n/668991/7954620/view [Accessed 25 Mar. 2024].
[3] Salvador, J. (2020). Pitón VI. [Wood] Available at: https://www.saatchiart.com/art/Sculpture-Pit-n-VI/668991/7963297/view [Accessed 25 Mar. 2024].
[4] Choi, J. (2017). Blue Lake. [Wood] Available at: https://www.saatchiart.com/sculpture/volcano/feature [Accessed 25 Mar. 2024].
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
After generating other volcano-like forms inspired by the works I documented earlier, I realised that volcanos have large openings at the top.
I then began to consider the logistics again and realised things such as ‘What if the rain floods the installation?’.
However, instead of eliminating this idea, I decided that I would find ways to problem solve in the future and decided to carry on with this idea.
material experimentation
clay
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
To recreate the organic forms in volcanoes, I decided to use clay as I found the material easy to manipulate/ mould into any shape I wanted.
Furthermore, its grey colour and texture resemble rock.
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
I then decided to use Stone Effect clay, thinking that I could make a stronger resemblance to volcanoes. However, I found its texture and moisture very different to the air dry clay I used previously and didn’t like how it felt wet but was dry.
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
I then settled on the normal air dry clay I used previously and decided to start experimenting with different compositions. This example shows a random composition which initially looked like a flower. I was able to ‘fix’ it by removing the curved bits and created a sharper and more ‘dangerous’ look.
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
I then realised that the volcano was very smooth so I began to add texture by stabbing in loose bits of clay with a palette knife and creating rough patterns in certain areas.
LO6 EVALUATION OF A CREATIVE PRACTICE
Overall, clay is a satisfying material to use but can be messy and hard to clean up and therefore has never been my go-to medium. Furthermore, preserving any models made can be quite tricky and I do not want to risk having cracks in my model (if I end up making a 3D model for my final piece).
installation idea 2
cube inspired
LO1 CONTEXT
My third idea involves a translucent box with a massive air vent inside that is connected to the Underground tunnel beneath it.
Warm air from the vent will be collected in the box and every x minutes, the box will lift and release the hot air.
While the ‘box’ is closed there will be shadows/silhouettes of hands that appear to be ‘melting’ to communicate desperation for help.
A note I made was to not make it appear too scary as there will be children on site.
concept board
[Fig.1]
[Fig.2]
[Fig.3]
LO4 PROBLEM SOLVING
For my prototype, I needed a material like the Shoji paper used in Japanese windows to produce an effect shown in Fig.1. Shoji paper is a translucent material that is capable of clearly displaying shadows (shown in Fig.2 and Fig.3). However, looking online, I realised that the material can be quite expensive to purchase and wasn’t worth buying as I am merely testing this idea out and experimenting with a range of materials.
Therefore, I decided to use an alternative solution which was to make ‘normal’ paper translucent myself.
[Fig.1] Getty Images and Moreh, J. (n.d.). Crying for Help - Fear - Hand Silhouettes on Glass - Noisy Looks. [Photography] Available at: about:blank [Accessed 27 Mar. 2024].
[Fig.2] Shutterstock (2017). Shoji Japanese paper window background with lighting from the back of panel. [Photo] Available at: https://www.shutterstock.com/image-photo/shoji-japanese-paper-window-background-lighting-653463277 [Accessed 27 Mar. 2024].
[Fig.3] Adobe Stock (n.d.). soft light through Japanese paper window 障子 日本家屋. [Photography] Available at: https://stock.adobe.com/uk/images/soft-light-through-japanese-paper-window/159905881 [Accessed 27 Mar. 2024].
construction process
paper testers
1
3
2
4
LO2 RESEARCH
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
Oil is a substance capable of making paper translucent. I realised that the effects of this combination can be quite similar to the Shoji paper.
I used a range of papers to find the most suitable one and placed an object behind the stain to compare how much more translucent the paper became.
Fearing that oil would create an unpleasant smell, I used the contents of a reed diffuser which produced the same effect.
I prepared an A4 sheet the night before I started building the rest of the model so that it would have time to dry.
construction process
foundations
LO5 PLANNING PROGRESS AND PRODUCTION
After the quick SketchUp render, I was able to better understand how the installation should be constructed and drafted out the major pieces that would be involved.
In the construction of this prototype, I wanted to focus on experimenting with cardboard and hot glue.
LO4 PROBLEM SOLVING
I wanted the base to be thick but didn’t want to construct a cuboid the traditional way, by making a net and folding together different pieces of different sizes. Instead, I cut out three pieces of the same size and stacked them together until I achieved the desired thickness. I found that this method. saves time and hot glue.
I used thin rods to mark out where the pillars will be, which will also keep the pillars in place as it slide up and down to lift the box.
LO4 PROBLEM SOLVING
One issue that I always had in my previous experiences with hot glue was that my cardboard would often be damaged for two reasons.
I would either be using old cardboard with wrinkles and marks or the hot glue would accidentally smear across it. As I was using old cardboard again for this prototype (due to sustainability and eco-friendliness), I decided to buy some thin paper which could be used to wrap up each piece of cardboard I cut out.
LO4 PROBLEM SOLVING
Without a Stanley knife, I had to use a small scalpel that was unfortunately slightly blunt.
It was unable to cut through both the paper and the cardboard finely which meant that I couldn’t slot the oiled paper in like I originally wanted to.
I then decided to cut the entire pillar with scissors and hot glue gun the paper to it.
material preparations
paper
LO4 PROBLEM SOLVING
However, the next day, the paper reverted to its normal state and the transparency was lost, therefore, I used oil in the end. I placed the two sheets of paper on cardboard to soak up excess oil and speed up the drying process.
LO2 RESEARCH
I later discovered that essential oils evaporate without leaving a grease stain, unlike cooking oils. This is why greasing the paper with cooking oil allows it to stay translucent.
installing the paper
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
Once the paper was dry, I began to experiment with ways to use the paper. I created a small fold at the bottom to allow the paper to sit securely on the board.
fold on the inside
fold on the outside
However, I could either conceal that mini fold by making it face the inside or expose it on the outside.
Eventually, I settled for hiding the fold on the inside and realised that I would have to use got glue on the outside and inside to secure the paper to the columns.
comparison of the two gluing methods
LO4 PROBLEM SOLVING
Using hot glue on both the outside and inside makes the model appear messy when analysed throroughly.
LO4 PROBLEM SOLVING
I then decided to fold two opposite sides of the paper and glued the fold to the pillar. This meant that the hot glue marks are concealed and produces a cleaner finish.
functionality
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
Whilst the glue was drying, I then began to work out how high the cube should lift to release the collected hot air. Once I chose an appropriate height, I realised that I needed a mechanism on the wooden rods that could stop the cube from going any higher or dropping suddenly due to gravity.
closed box: when collecting hot air from the vents
open box: when releasing hot air from the vents
evaluation
modelling quality
LO6 EVALUATION AND REFLECTION
The next day, the oil from the paper had bled into the beige paper, leaving permanent marks. Furthermore, the hot glue detached itself from the oil paper (which was slightly expected).
There also needs to be a mechanism that allows the box to lift to a certain height and remain there without being wonky.
LO6 EVALUATION AND REFLECTION
Overall, I feel that if I were to make a 3D model as part of my final piece, I would most likely use cardboard and hot glue. This is mostly due to having past experiences with it and that it is convenient as cardboard is in abundance both at home and at the university. Furthermore, I don’t need to worry about ensuring it stays moist like with the clay.
However, unlike organic forms, cubes like such have exact dimensions and each edge of the cube must be the same length. Accuracy is important when constructing a design like this and I need to devise ways to ensure that I always cut pieces to right size whilst leaving just the right room for error.
evaluation
idea practicality
LO6 EVALUATION AND REFLECTION
I presented the idea to my younger sister who raised many concerns regarding the design. The criticism was eye-opening and made me realise that there was much more research and development needed to be done in this project.
LO2 RESEARCH
The design involves expelling hot air from the underground into the outside world and the UG is known for being dusty. This creates a mix between clean public outdoor air and hot and stale indoor air. Especially considering how the air in Jubilee Gardens is breathed in by park visitors and children, it is vital that contaminated and polluted air isn’t being distributed. I decided to research the right types of ventilation and filtering systems to use.
VENTILATION SYSTEMS
LO2 RESEARCH
natural ventilation
LO2 RESEARCH
Natural ventilation involves using wind to create air movement between the outside and the inside of a building, without man-made systems.
It can be opening a window/door or relying on gaps in a building where outdoor fresh air can infiltrate.
mechanical ventilation
LO2 RESEARCH
Mechanical ventilation relies on a man-made network of fans and ducts which can draw out stale air and push in fresh air into a building.
[1Fig.1] METPHAST Program (2018). Elements of Ventilation Systems. ‘Natural Ventilation’ Illustration. Available at: https://www.youtube.com/watch?v=Lys7XUpnbEw&t=345s [Accessed 3 Apr. 2024].
[Fig.2] METPHAST Program (2018). Elements of Ventilation Systems. ‘Mechanical Ventilation’ Illustration. Available at: https://www.youtube.com/watch?v=Lys7XUpnbEw&t=345s [Accessed 3 Apr. 2024].
mechanical ventilation
with heat recovery
LO2 RESEARCH
Mechanical Ventilation with Heat Recovery (MVHR) involves using a mechanical system comprising a main unit with a series of ducts connected to it.
The MVHR extracts moisture from hot areas and supplies fresh air but recovers heat energy that would be lost if using a pure extraction system.
[Fig.1]
It does this by including a heat exchanger where both the hot stale air and cool fresh air pass over each other so the cool air can absorb heat energy. This (now warmer) air infiltrates the building.
[Fig.1] BioSun (n.d.). Mechanical ventilation heat recovery (MVHR). [Illustration ] Available at: https://www.biosunenergy.co.uk/other-technologies/mechanical-ventilation-heat-recovery [Accessed 3 Apr. 2024].
supply ventilation
LO2 RESEARCH
A Supply Ventilation System usually involves a fan and duct system (involving wall vents) to draw fresh air into a space (sometimes more). The advantage of it over the Exhaust Ventilation System is its better control of the air that enters.
It pressurises the building to minimise the entrance of outdoor pollutants. SVSs are better suited to buildings in hot climates as there are higher levels of moisture.
A downside to SVSs is that in the winter, the warmer interior air may leak through gaps in the building, which overall cools down the interior. Moisture can then condense and cause mould.
local exhaust ventilation
LO2 RESEARCH
Exhaust ventilation systems use a simple and inexpensive network, mostly using fans. A single fan can be connected to an appropriate location in the building and is connected to ducts in rooms such as bathrooms and kitchens (where hot air with pollutants is most likely to be produced).
Passive vents allow clean air from the outside to infiltrate the home. However, there needs to be a significant difference in pressure between the clean air coming in and the stale air going out for this air exchange to occur. One issue with the exhaust ventilation system is that pollutants from the outside may be drawn in.
Local Exhaust Ventilation systems extract dust and fumes and are typically installed in workshops where harmful pollutants are often generated.
Usually, a hood is located directly above the workspace with a wide duct directly below, both of these pass the collected fumes and dust through to a filter where these dust particles get filtered out.
A fan is also installed within the network to create the airflow in the ducts. Hoods come in shapes and sizes and are designed depending on how far the generated fumes can travel and where the person’s breathing zone is located.
[Fig.1]
[Fig.1] RCS (2021). What Is Local Exhaust Ventilation? [Illustration ] Available at: https://www.rcslev.com/post/what-is-local-exhaust-ventilation [Accessed 3 Apr. 2024].
[1] Health and Safety Executive (2014). What is Local Exhaust Ventilation? YouTube. Available at: https://www.youtube.com/watch?v=Ky8y2jDk6i8 [Accessed 3 Apr. 2024].
vents
LO2 RESEARCH
[1] Warm air rises as it has a lower density than cooler air, therefore, exhaust fans and vents are usually placed on the ceiling or anywhere near the top. This is a good thing as I had already intended to place the air vents at the top of the underground tunnels. Expelling hot air also helps to remove moisture which reduces the amount of mould growing.
There are two different categories of vents: supply and return. Supply vents will draw air into the building while return vents draw air out.
[Fig.1]
[Fig.2]
[1] www.noaa.gov. (n.d.). Parcel Theory | National Oceanic and Atmospheric Administration. [online] Available at: https://www.noaa.gov/jetstream/upperair/parcel-theory#:~:text=While%20it%20is%20correctly%20understood [Accessed 2 Apr. 2024].
[Fig.1] Roof Hub (n.d.). Off Ridge Vents. [Photography] Available at: https://myroofhub.com/materials/roof-vents-attic-ventilation/ [Accessed 2 Apr. 2024].
[Fig.2] Roof Hub (n.d.). Box Vents (aka Louver Vents). [Photography] Available at: https://myroofhub.com/materials/roof-vents-attic-ventilation/ [Accessed 2 Apr. 2024].
LO1 CONTEXT
The plan is to make use of a mechanical ventilation system which will be under the installation. The network of air ducts and fans will run through the ground underneath until it reaches the Underground tunnel.
By incorporating components from a Local Exhaust Ventilation, the dust particles extracted from the Underground air can be filtered out before being released to the outside world.
There will be a Supply Ventilation System involved to ensure that the same volume of air taken out of the Underground is replaced to prevent air deficiency. (Balanced Ventilation System)
LO2 RESEARCH
However, before designing the ventilation network, I needed data such as ‘How many metres deep is the Bakerloo line?’ I then began looking at how deep the Bakerloo Line’s Underground tunnel was and discovered that the depths depends on the location. Jubilee Gardens is located between Embankment station and Waterloo station.
JUBILEE GARDENS
Silva, D and Transport for London (n.d.). ace.com/static/557c6289e4b00367523544bb/t/5b2d415370a6ad6635ac9a01/1529692560124/London+Underground+Depth+Diagrams.pdf. [Illustration ] Available at: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/[1] www.noaa.gov. (n.d.). Parcel Theory | National Oceanic and Atmospheric Administration. [online] Available at: https://www.noaa.gov/jetstream/upperair/parcel-theory#:~:text=While%20it%20is%20correctly%20understood [Accessed 2 Apr. 2024]. [Accessed 3 Apr. 2024].
LO2 RESEARCH
Aside from that, I also needed to know the size of the tunnels because initially, I wanted the hoods to drop down onto the platform (where normally, there would be a lot of headroom).
However, now that the location has changed to the middle of a tunnel between Waterloo and Embankment, there was no longer any headroom for this design idea to work out.
I went to visit Balham Underground station and waited until a train was passing through to get an understanding of how much space would be left with a train travelling through it. As expected, after fitting in a train, there is no space left for a large hood to drop down.
Disclaimer: The Northern Line operates with [1] 1995 stock while the Bakerloo line operates with the 1972 stock. However, both versions have the same height [2] (2.875m).
Both the Northern and Bakerloo lines are deep-level tubes with a height of [2] 3.56m, therefore the image taken remains accurate.
image showing the lack of empty space in the tunnel when a train passes through
[1]Wikipedia (2024). London Underground 1995 Stock. [online] Wikipedia. Available at: https://en.wikipedia.org/wiki/London_Underground_1995_Stock [Accessed 4 Apr. 2024].
[2] Wikipedia Contributors (2019). London Underground infrastructure. [online] Wikipedia. Available at: https://en.wikipedia.org/wiki/London_Underground_infrastructure [Accessed 4 Apr. 2024].
PROGRESS EVALUATION
LO6 EVALUATION AND REFLECTION
COMPLETED
UPCOMING
During the Spring Break, I was not only able to construct a prototype of my Cube idea but was also able to explore other design ideas (volcano-inspired) and experiment with other materials (clay) to find media that suited me best.
I was also able to include further technical research on Ventilation Systems which should fall in Week 3 in response to “Is the solution practical? Possible? Cost-Effective?”, putting me back ahead of schedule.
DRAFT NETWORK DESIGN
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
draft
ventilation network
FINAL INSTALLATION
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
installation idea 3
ver 1
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
LO4 PROBLEM SOLVING
I realised that the Cube fully opening and closing poses a hazard as people could potentially enter the Cube when it opens and get stuck in there until it opens again. To fix this, I came up with a new design where instead of letting the air out, the vents will come out and release the air.
LO1 CONTEXT
To take a more playful approach, I decided to take inspiration from a well-known toy; the Rubik’s cube.
Certain squares of the Rubik’s cube would have an ‘air vent chamber’ enclosed behind it that extends outwards to release hot air, closing again after a certain time.
Each face of the cube will have ONE vent that extends out.
isometric view
view from the bottom
LO1 CONTEXT
The vent chambers will be two squares long and will collect hot air while closed. When the vent chamber comes out, hot air will be released through the vents.
LO4 PROBLEM SOLVING
To avoid the rain water leaking into the vents, I decided to place the vents on the sides and at the bottom where the rain cannot easily reach.
construction planning
air ducts
LO6 EVALUATION AND REFLECTION
I decided to recreate the model physically as I felt that it would be beneficial to gather more experience with physical material handling. Furthermore, I had already stated in my Pecha Kucha that I wanted to include more analogue methods of working within my FMP as my works in the previous two units were predominantly digital.
However, I wanted to recreate this design in further detail where the logistics have been considered. As the air vents come out from random squares on different faces of the cube, it was important to design the air ducts efficiently and place them correctly so that do not clash, I decided to tackle the shape of the air ducts first and work out a clever rearrangement (where I can fit as many as possible without clashes) later.
construction planning
stopping mechanism
LO4 PROBLEM SOLVING
Reflecting on the construction process of ‘Installation Idea 2’, I realised that I needed to design a mechanism that would allow the air vent chamber to extend to a maximum distance so that it does not fall out or fall wonky,
construction planning
components
construction planning
arrangement
LO4 PROBLEM SOLVING
To make use of the small gaps created, this vertical column will allow the vent chamber to extend upwards, creating a vent for the top face.
elevations
front
right
back
left
top
construction planning
nets
LO1 CONTEXT
Once I had understood the positioning and the mechanisms of the design through the SketchUp renders, I was ready to construct a mini prototype of it.
LO5 PLANNING PROGRESS AND PRODUCTION
However, I didn’t want to dive straight into it as I didn’t want to run into any unforeseen challenges. I decided that the best way to approach this was to create nets as a clear set of instructions on how to construct the model.
Before being able to produce a clear set of nets, hours of drafting and planning were put in.
initial dimensions
initial nets
LO4 PROBLEM SOLVING
However, once I had looked at the Materials Storage Cupboard provided at the university, I realised that it would not be feasible to produce a model at the scale I wanted.
I then decided to scale the model down further by 10. This was not a massive issue, it just meant that the smallest measurement I would have to work with would be 0.4cm which can be tricky to handle.
PROGRESS EVALUATION
LO6 EVALUATION AND REFLECTION
COMPLETED
UPCOMING
expectations
reality
Right after I had completed the 3D SketchUp renders for my Rubik’s Cube-inspired installation, I had planned to utilise the Self Study day to make a physical model of it (as shown on the left). However, after being called to attend a group tutorial, my plans were disrupted and was not able to begin building the prototype despite already having produced the nets for it.
GROUP TUTORIAL REVIEW
LO6 EVALUATION AND REFLECTION
Even though the tutorial had disrupted my plans, I still felt like it had been beneficial as it allowed me to develop the Rubik’s Cube idea further.
Without these extra suggestions given by my peers, the idea would have been ‘boring’ and not whimsical like I had intended.
Furthermore, these suggestions given by my peers inspired me to involve some mechanical engineering in my final piece which could make my final piece more interesting.
MAKING DAY
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
construction materials
LO1 CONTEXT
Today was dedicated to making random creations out of a variety of materials.
The idea was to mindlessly produce pieces to experiment with different shapes and forms and turn them into potential design ideas to further develop the project.
construction
model 1
LO1 CONTEXT
Reflecting on the ideas that were suggested by my group mates, I decided to make use of the metal pieces to create sounds. This piece was inspired by a wind chime.
construction
model 2
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
LO6 EVALUATION AND REFLECTION
Throughout the activity, I gathered more materials to expand the possibilities of producing a decent creation. I realised that from my previous creation, I incorporated the material in its original form and decided to start cutting into these new materials I gathered to get more creative.
After cutting through the Costa cup and inserting straws, I thought it strongly resembled a Viking helmet.
However, after further analysis, I found its potential to become a robot.
LO4 PROBLEM SOLVING
It was difficult to hot glue the small bolts without burning my fingers. Therefore, I decided to tape skewers together to form chopsticks and was able to position the bolts exactly where I wanted and hold them in place while I applied the glue.
construction
model 3
For the final model, I made use of the scrap material left over from the previous two creations. This was mainly to reduce the amount of waste at the end.
With the other half of the Costa cup, I wrapped it in Polka Dot paper and initially wanted to cut holes to form windows.
However, it was difficult to cut them as the cup was thick, so I gave up and decided to draw pupils which formed a face. At this point, I continued with the ‘Robot Characters’ theme.
photoshoot
LO6 EVALUATION AND REFLECTION
Making Day opened a door to a new concept; a robot character which provides cool air to the customers on the London Underground. Being able to generate new ideas is helpful for large-scale projects, however, at times, I can feel overwhelmed by the number of possibilities and be unsure of what idea to carry forward.
Even though I had already settled on the idea of having an Installation at Jubilee Gardens, I decided to consider the robot idea and weigh out the pros and cons of them in the end.
MAKING DAY DEVELOPMENT
LO1 CONTEXT - LO3 DEVELOPMENT OF A CREATIVE PRACTICE - LO6 EVALUATION AND REFLECTION
contextualisation
robot idea
diagram
LO1 CONTEXT
Making Day opened a door to a new concept; a robot character which provides cool air to the customers on the London Underground. Being able to generate new ideas is helpful for large-scale projects, however, at times, I can feel overwhelmed by the number of possibilities and be unsure of what idea to carry forward.
Even though I had already settled on the idea of having an Installation at Jubilee Gardens, I decided to consider the robot idea and weigh out the pros and cons of them in the end.
contextualisation: photoshop render
contextualisation
whimsical installation
diagram
contextualisation: photoshop render
West 8 Uran Design (2012). [Photography] Available at: Silva, D and Transport for London (n.d.). ace.com/static/557c6289e4b00367523544bb/t/5b2d415370a6ad6635ac9a01/1529692560124/London+Underground+Depth+Diagrams.pdf. [Illustration ] Available at: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/[1] www.noaa.gov. (n.d.). Parcel Theory | National Oceanic and Atmospheric Administration. [online] Available at: https://www.noaa.gov/jetstream/upperair/parcel-theory#:~:text=While%20it%20is%20correctly%20understood [Accessed 2 Apr. 2024]. [Accessed 3 Apr. 2024]. [Accessed 13 Apr. 2024].
iterations
inspired by robot idea
A1 sheet of alternative ideas
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
This activity required completing a minimum of five drawings of the 3D pieces created previously, with each drawing being a different iteration.
By the end of the activity, I had taken certain shapes from the original drawing and repositioned them until I achieved a drawing that highly resembled a ladybug.
LO6 EVALUATION AND REFLECTION
After considering the robot idea, I felt like I was trying to bite off more than I could chew. As I had already started developing the Cube Idea, I didn’t want to start fresh again when there was so little time left. It felt unrealistic to be able to conduct enough research and experimentation for this idea to lead to a well-developed final piece.
I decided to return to my Rubik’s Cube-inspired idea and develop it further using the help of the suggestions given in the group tutorial.
LO5 PLANNING PROGRESS AND PRODUCTION
Being conscious of time, I decided to briefly draft out a plan for the remaining weeks. Through this, I realised that I had to stop brainstorming new ideas and begin producing or working towards a final outcome.
FINAL IDEA: PROTOTYPE 1
LO2 RESEARCH - LO3 DEVELOPMENT OF A CREATIVE PRACTICE - LO4 PROBLEM SOLVING
old nets
initial nets
example of misalignment
LO4 PROBLEM SOLVING
Using the nets that I had produced before allowed me to find the mistakes with them, and realising my mistakes allowed me to produce accurate nets afterwards. To do this, I prepared one net for the entire component instead of breaking it into two nets.
new nets
complete nets
example
I was able to plan out an entire net for a component that still had a gap within it for the air to travel through. However, one issue was that due to the thickness of the cardboard that I had not accounted for, there were a few awkward gaps within the component.
finished prototype
air vent chambers
To fix the rips, I decided to hot glue the cardboard layers back together but the blob of hot glue increased the height of the vent, preventing it from fitting in the casing.
To avoid rips, the components should be bigger and laser cut.
After compiling all the components together, I began working on the vents.
As expected, because the dimensions were so small, the cardboard ripped easily.
finished prototype
air ducts
problems to solve
in the future
LO4 PROBLEM SOLVING
Upscaling the model meant that each component would become flimsier as the cardboard's thickness remained the same.As shown in the image on the left, the cuboids do not stay upright.
I decided that for my final piece, I would have to strengthen it by involving more than one layer of cardboard.
Cutting cardboard with my Stanley knife resulted in fraying on the edges sometimes. I need to replace my blade with a fresh one.
stopping mechanisms
PROGRESS EVALUATION
LO6 EVALUATION AND REFLECTION
MISSED
UPCOMING
By the end of the week, I realised that I was technically ‘behind schedule’ as I was due to start making the Final Model next week and had not finalised the size, choice of material or colours yet.
However, this was because when making the Action Plan, I had not accounted for the possibility that I could be making multiple prototypes due to having multiple ideas.
FINAL IDEA: PROTOTYPE 2
LO3 DEVELOPMENT OF A CREATIVE PRACTICE - LO4 PROBLEM SOLVING
stopping mechanism
inspired by drawers
construction planning
pieces
LO4 PROBLEM SOLVING
I decided to remake the prototype using a different method, where I break down the design into its individual faces. Each face will have specific dimensions where the thickness of the cardboard has been accounted for.The measured thickness of the cardboard is 2mm.
construction
arrangement 1
construction
arrangement 2
construction
arrangement 3
construction
stopping mechanism
LO4 PROBLEM SOLVING
Once the basic walls of the air ducts were constructed, I began adding in the small mechanisms. This became an issue when the glue gun was too large to fit inside the air duct, preventing me from glueing it down. I realised that they should have been stuck on the air ducts before they were assembled together.
However, the frames are easy to glue on as they sit on the outside. Using the technique below, I just had to add glue along the sides of the slider and swiftly stick it on the air duct walls correctly.
However, this was messy as the hot glue would dry before I could even adjust it to sit straight along the air duct walls.
construction
air vent
LO4 PROBLEM SOLVING
Cutting strips of cardboard out by hand was a tedious and messy process as the Stanley knife blade was quite blunt and kept dragging the first layer of cardboard along with it. This led to frays along the sides. Once completed, I realised that I had miscounted the number of slits and was one short/extra.
I decided that in order to create clean cuts and evenly spaced slits in the vents, I would need to make use of the laser cutter.
finished prototype
LO6 EVALUATION AND REFLECTION OF A CREATIVE PRACTICE
Making this large prototype allowed me to realise that tricky measurements and calculations are involved Furthermore, due to the multiple components, patience is needed to achieve precision in the application of the hot glue as well as accuracy in cutting straight. I was reminded that patience and repeated processes were not my cup of tea and confirmed that I had to make use of the laser cutter.
After inserting the vents, I realised how much I disliked Air Duct C (the vertical one). It looked odd and out of place and was a completely different shape to the other two.
final composition
LO6 EVALUATION AND REFLECTION OF A CREATIVE PRACTICE
I decided to change Air Duct C (vertical air duct) to the same shape as Air Duct D.
This composition had the most similar silhouette to that of a cube whilst also leaving enough gaps and empty space to create an abstract form.
I was satisfied with this composition but still had slight intentions of altering it in the future if needed.
PROGRESS EVALUATION
LO6 EVALUATION AND REFLECTION
MISSED
UPCOMING
At this stage, I realised that I could not follow the Action Plan anymore but didn’t fear that I had nothing to refer back to track my progress. As my project was approaching the end, I was able to set myself more specific tasks which I found more helpful. Using Google Calendar, gives me a set time limit to complete each task, allowing me to track how many hours/days behind I am with my work.
FINAL IDEA: TECHNICAL DATA
LO2 RESEARCH
distance
length of garden space
distance
to nearest stations
geology
A London Inheritance (n.d.). LONGITUDINAL SECTION THROUGH WEST TUNNEL. [Drawing] Available at: https://alondoninheritance.com/wp-content/uploads/2021/12/Waterloo-Railway-Tunnelling-2-scaled.jpg [Accessed 15 Apr. 2024].
size
underground tunnel
The Railway Technical Website (n.d.). Figure 2: End elevations of London Underground tube and surface stock. [Drawing] Available at: http://www.railway-technical.com/trains/rolling-stock-manufacture.html [Accessed 15 Apr. 2024].
A LONDON INHERITANCE (n.d.). SUBAQUEOUS TUNNELLING THROUGH THE THAMES CRAVEL: BAKER STREET AND WATERLOO RAILWAY. [Drawing] Available at: https://alondoninheritance.com/under-london/tunnelling-the-baker-street-and-waterloo-railway/ [Accessed 15 Apr. 2024].
size
installation
[Fig.1]
LO2 RESEARCH
Initially, I had the idea that my installation was going to be small but upon visitin vent shafts myself, I realised that I had been slightly ignorant. Although not massive, I had clearly underestimated the size of these shafts. Fig.1 shows a sculptural screen by Neiheiser Argyros, which stands at 14m tall with an area of 140m^2.
I then realised that if I upscaled my previous prototype by 100 like I was thinking of doing, I could end up with an intimidating building rather than an extension. (30m high). Upscaling it by 30, I could achieve a real height of 9m which was more appropriate. However, I decided to add an extra metre as it was closer to 14 (to be safe).
Neiheiser Argyros and Zandri, L. (2020). [Photography] Available at: https://www.archdaily.com/946538/north-greenwich-sculptural-screen-neiheiser-argyros [Accessed 14 Apr. 2024].
technical drawing
draft
technical drawing
to scale
LO1 CONTEXT
Initially, my idea of cooling was to solely extract hot air, without realising that it could create oxygen deprivation. To overcome this, two air ducts will be responsible for drawing hot air out while one feeds cold air in.
Each air duct transports air that is passed through a vat where the cold and hot air mix (MVHR), this is to retain some heat energy to help prevent the tunnels+tubes from becoming too cold (especially during off-peak hours).
There is only one installation which means that the air ducts will need to span a great distance to ensure that there is a significant cooling effect.
INSTALLATION PLACEMENT
LO2 RESEARCH - LO3 DEVELOPMENT OF A CREATIVE PRACTICE - LO6 EVALUATION AND REFLECTION
placement variation 1
along the bakerloo line
too out of place
too packed together, vents may clash
10m distance between each installation therefore no clashes
placement variation 2
within the green space
loss of green space, loss of clear view of the other side
placement variation 3
spaced out
will lead to a difficult ventilation network under the ground
too close to the path, may blow hot air at people, making the uncomfortable
placement variation 4
singular
out of sight (hidden by trees)
final placement
LO6 EVALUATION AND REFLECTION
In the end, I decided to go for adding a single installation in the middle of the biggest green space. This was because it would cause the least disruptions (would not blow air onto the people walking on the grey path). Only installing one installation means that there is less green space being removed. (Ethical Reasons).
FINAL PROTOTYPES
LO3 DEVELOPMENT OF A CREATIVE PRACTICE - LO5 PLANNING PROGRESS AND PRODUCTION
installation
laser cut process
LO5 PLANNING PROGRESS AND PRODUCTION
However, having not had much laser cutting experience before, I decided to book a consultation before using the machines, I booked this for the next day so that I would have time to finish making the pieces I needed to cut out, check if they were the correct size and acquire some cardboard (then later trimming it to fit the laser cutter).
LO4 PROBLEM SOLVING
To make assembling the installation easier, I decided to mark out lines that were 2mm from the edge to account for the thickness of the cardboard. This was so that each piece would be glued exactly in the right place.
LO4 PROBLEM SOLVING
Before, setting the Adobe Illustrator file to the laser cutter, I realised that the blades of the fan would be cut off completely as all the lines were red.
I made a quick correction so that the blades would stay in the piece. (Outcome shown later on the page).
LO4 PROBLEM SOLVING
However, because I had labelled each piece using black text at a 1pt thickness, the laser cutter engraved the text. Engravings work by sliding the laser cutter left to right (line by line). This made the cutting process extremely long. Approximately 25mins in, I wondered if I could stop the laser cutter and replace the engraved text with a marking to speed up the process. However, I didn’t have the time to change and re-upload my files as there were people in the queue and ended up continuing on.
However, I made a note that in the final construction, I would change it from engraving to marking.
installation
construction process
LO6 EVALUATION AND REFLECTION
I was glad that I made this prototype eventhough it was the exact same form as the previous one. I confirmed that using the laser cutter was what I wanted to do for my final piece as I liked how the cuts were clean and accurate (which I could not do by hand).
I also managed to discover which pieces were the incorrect measurements and made sure to fix it for the future.
photos
LO6 EVALUATION AND REFLECTION
Overall, I was happy with the quality of my craft. There were no messy areas of hot glue (which I had expected), giving a clean look.
However, the burns on th. surface of the cardboard was unexpected. This was because I didn’t realise that the platform I was putting my sheet of cardboard on would be dirty (from previous uses).
The ashes from the platform stained the cardboard, revealing a dusty backside.
Another thing I was proud of, was that the vents could easily slide in and out, and did not fall into the air duct due to having a larger square stuck to the front.
site
laser cut process
traced from digimaps
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
Upon visiting Jubilee Gardens, I noticed how each patch of green space was not completely flat but had an increasing height as it progressed to the centre. Due to this, I knew I wanted to add depth to my model of Jubilee Gardens and laser cut mutliple pieces for the garden, decreasing in size.
site
construction process
However, after assembling the pieces, I realised that I should not have scaled down from a point but instead should have offset the shape to the size I wanted.
I also realised that the model was too small, the height of the cardboard combined was out of scale with the model’s length and width.
two layers
LO4 PROBLEM SOLVING
As a final touch, I decided to border the prototype to make it sturdier. I have learnt from making this prototype that I should offset not scale down and make the model much bigger but not too big so that the material does not fit in the laser cutter.
final model
planning
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
The appropriate scale had to allow the model to be as big as possible but also not too big so that the material did not fit in the laser cutter.
In the end, I decided on a scale of 1:250, which also gives a 6.23cmx6.23cmx6.23cm sized final installation.
lamp post
tree 1
tree 2
tree 3
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
For the final model, I knew that I needed more detail and decided to find out where the trees were located by looking on Google Maps.
Each tree was drawn by hand and lamp posts, bins and benches were drawn in too.
I marked out where each piece would have to be glued for accuracy.
Initially, I was going to erase all the brick that was outside of the path, however, I knew that it would be cut out anyway in the laser cutter, so I eventually stopped trying to erase it.
FINAL IDEA: COLOUR TESTERS
LO1 CONTEXT - LO3 DEVELOPMENT OF A CREATIVE PRACTICE - LO6 EVALUATION OF A CREATIVE PRACTICE
sketch up
colour testers
warm toned but basic
LO1 CONTEXT
For the colours, I knew I wanted to use warm-toned colours due to their association with heat. However, I still experimented with different colours to allow myself room to change my mind.
colour palette has no warm colours and therefore has no association with the idea of heat. has a stronger link to the theme of halloween.
the blue complements the orange, but overall, too bold and vivid
reminds me of fruits and candy, not very suitable.
not enough white, the amount of colour is overwhelming
I then experimented with breaking down each face into squares which could be individually coloured. (This can link back to its Rubik’s Cube roots). However, I found the amount of colours to be overwhelming.
combination of all the warm toned colours i wanted
sufficient amountof white
Lastly, I used the warm-toned colours I had preferred from the start (yellow, orange, red), and contrasted them with blue. This air ventilation system takes out hot air and replaces it with cool air (to avoid oxygen deprivation in those on the tube), therefore, I found it appropriate to include subtle amounts of cool colours.
mountboard colours
Upon visiting Hobbycraft, I was disappointed to find that they didn’t have any orange mount board in stock. Furthermore, they only offered mount boards in the A1 size which made them quite costly (£7 per sheet).
This forced me to limit the number of boards I purchased, reducing the variety of colours. I found that red, blue, and yellow would be perfect to create a Piet Mondrian-inspired design which convinced me to purchase those colours. White would be the base colour, while green and silver would be for the site.
FINAL IDEA: SURFACE DESIGN
LO3 DEVELOPMENT OF A CREATIVE PRACTICE
moodboard 1
Mondrian, P. (1929). Composition II in Red, Blue, and Yellow. Available at: https://www.piet-mondrian.org/composition-ii-in-red-blue-and-yellow.jsp [Accessed 23 Apr. 2024].
ondrian, P. (1935). Composition B (No.II) with Red . Available at: https://www.tate.org.uk/art/artists/piet-mondrian-1651 [Accessed 23 Apr. 2024].
Anon, (n.d.). Available at: https://www.pinterest.co.uk/pin/24206916743869379/ [Accessed 23 Apr. 2024].
Anon, (n.d.). Available at: https://www.pinterest.co.uk/pin/5207355813135211/ [Accessed 23 Apr. 2024].
Getty Images (n.d.). Available at: https://www.thespruce.com/what-is-bauhaus-style-decor-5187143 [Accessed 23 Apr. 2024].
Hohenadel, K. (2013). A History of London’s Iconic Transport Logo. [online] Slate Magazine. Available at: https://slate.com/human-interest/2013/09/london-underground-logo-a-brief-history-of-the-iconic-design.html.
moodboard 2
Etsy. (n.d.). View BAUHAUS POSTERS by CozySpiritStudio on Etsy. [online] Available at: https://www.etsy.com/shop/CozySpiritStudio section_id=39623596&epik=dj0yJnU9SW1hWjRkRGhzOU44Nk5GcVQzdThZa1VhcDhfYnE2R2smcD0wJm49R2lFVTdFMUozZzNOSHo1YUxjOGJlZyZ0PUFBQUFBR1l6NmYw [Accessed 2 May 2024].
https://www.posterwallprints.com/products/bauhaus-school
Pinterest. (n.d.). Bauhaus & Swiss Style Geometric Graphics | Bauhaus design, Bauhaus art, Graphic design posters. [online] Available at: https://www.pinterest.co.uk/pin/126663808264651547/ [Accessed 2 May 2024].
moodboard 3
designs
idea generation
FINAL OUTCOME: THE SITE
LO6 EVALUATION AND REFLECTION
LO7 COMMUNICATING AND PRESENTING OF A CREATIVE PRACTICE
site
without brick path
Initially, I was unsure wether or not to add the brick path I had cut out as the bricks were not to scale.
site
with brick path
LO6 EVALUATION AND REFLECTION
However, I decided that the brick helped to add more detail and character. It made the site appear less ‘plain’. After presenting it to my tutors, I gained insightful feedback which helped me to improve the communication of my idea.
Firstly, the site needed a mini version of the cube which would allow viewers to understand which way the installation was facing. Luckily, I had coloured pieces on most of the faces which I could use to indicate which face was which. The engravings could be left out.
This can then allow me to incorporate drawings of elevations in my project as I know which face faces the North.
site
with mini installation
I had cut the small coloured pieces out by hand which, admittedly, was quite difficult at times. I placed a ruler against my Stanley knife to achieve straight lines but the ruler kept slipping halfway while I was cutting.
FINAL OUTCOME: THE CUBE
construction
first attempt
LO4 PROBLEM SOLVING
When laser-cutting the pieces out, I removed the labels as I didn’t want them to be on the surface of the installation.
However, when they came out of the laser cutter, I had to collect them all in one pile to be transported to a workstation where I could assemble them.
Without the labels and the close similarity in shape and dimension of some of the pieces, I confused a few pieces which led to misalignments and a few awkward gaps.
I then decided to reconstruct the model by laser cutting all the pieces again. However, when I rebuilt the installation, I realised that I had confused some of the pieces because they were the wrong dimensions.
What should have been the ‘Back’ turned out to have the dimensions of the ‘Top’ piece.
Instead of fixing the error, re laser cutting the entire file and rebuilding it, I decided to take apart the model I made the first time and used the pieces from that to replace the incorrect ones in the second model.
construction
second attempt
Due to reusing old pieces from an old model and transferring them to the new one, I ended up creating a slight mess in the glueing.
I engraved the details in a 1pt thickness, which created clear bold lines. However, the power of the laser was set ‘too high’, surrounding the engraving with burn marks.
One of the faces of the model ended up having no surface pattern.
These issues, however, could only be resolved by reconstructing the entire model all over again, by making sure all the pieces are the correct dimensions, reducing the power and labelling each piece so that they are correctly placed.
construction
final attempt
LO4 PROBLEM SOLVING
By the end, I didn’t have enough white mount board so I decided to utilise the back of the blue mount board which was white.
The idea was that all the pieces that needed labels would be printed on the blue card so that they could be flipped over and the labels would be on the inside.
Any pieces that involved a design on the surface would be printed on white.
However, I had set the power too low (due to fear of leaving burn marks again), which meant the laser could not cut through the board completely.
Annoyingly, I could not repeat the laser-cutting process as I had lifted both pieces of mount boards before realising that they were not cut through. I didn’t know how much the boards had shifted and didn’t want to risk cutting them out incorrectly.
I could have cut them out by hand, but I feared that it would not be smooth or precise. Furthermore, it was the vents that definitely could not be cut by hand and they were also not cut out by laser. This forced me to have no choice but to laser cut all over again.
final model
LO6 EVALUATION AND REFLECTION
I preferred the previous version of the final piece, even though the glueing was messy in some areas and some pieces were slightly misaligned, the deep engravings helped it to stand out. The engravings in the final piece were not as deep or bold as I had reduced the laser’s power and the design's thickness to 0.6pt instead of 1pt.
Although this gave a clean look, it wasn’t as captivating as the previous one. If the previous model didn’t have the flaws it had, I would have submitted it as part of my final outcome.
Unfortunately, I couldn’t remake this model with the thickness and deepness I wanted as the Workshop would not be open before the due date of the FMP.
final photos
PRESENTATION BOARD
LO7 COMMUNICATING AND PRESENTING A CREATIVE PRACTICE
BIBLIOGRAPHY
project proposal
bibliography
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FINAL EVALUATION
AUTHENTICITY FORM